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Here are some pointers to help you capture a great photo of the upcoming eclipse.

Seronik - 2007 lunar eclipse

This image of the August 2007 lunar eclipse was captured with an 8-inch telescope and a Nikon D200 dslr camera. The exposure was 5 seconds at ISO 800. Courtesy Gary Seronik

On the night of April 14/15 the Moon will glide through the Earth’s shadow and undergo an eclipse.  If you have a digital SLR (dslr) or 35mm SLR film camera and a telescope with a motorized tracking mount, you can employ prime-focus photography to get an image like the one shown above. Here’s how it’s done.

Telescope Specifics

The ideal telescope is one with a focal length that allows the Moon’s disc to very nearly fill the short axis of a 35mm film frame. For a “full frame” dslr or 35mm film camera, something around 2,200 millimetres is nearly perfect. That means an 8-inch scope working at f/11, or a 10-inch f/9. If your DSLR has a “cropped” or “APS-C sized” sensor (as most do), then a telescope with a 1,500 mm focal length fits the bill. An 8-inch f/7 or 10-inch f/6 is a good choice.

For the photographs shown here, I used a home-built 8-inch f/4.5 Newtonian with a focal length of around 820 mm. The image scale was a bit small, so I attached a 1.5× teleconverter to my camera, which boosted the effective focal length up to 1,370 mm.

If your telescope’s focal length is less than ideal, do your best working with you have. You can still get pleasing results but you may have to crop your photos a bit to compensate for the smaller image scale.


To attach a DSLR camera at the prime-focus of a telescope, you need a T-ring (left) and a prime-focus adapter tube.

To attach a DSLR camera at the prime-focus of a telescope, you need a T-ring (left) and a prime-focus adapter tube.

For photography with your telescope, you need two extra pieces. First, a T-ring-adapter for your specific make of camera. This is a simple fitting with female T-threads in front and a bayonet flange on the rear to match your camera’s lens mount. T-rings are available for most popular camera brands and models. You’ll also need a prime-focus adapter tube. This piece screws into the T-ring and allows you to attach your camera to your telescope’s focuser.

Exposure Time

Depending on the specifics of your camera and telescope combination, and the brightness of the eclipsed Moon, the optimum exposure time will vary considerably. Expect your exposure to be several seconds long, depending on the ISO setting you’ve chosen. That’s why you will most likely need a motorized mount capable of tracking the Moon to prevent the image from blurring during the exposure.

Seronik - Lunar eclipse pairing.

As this pair of images demonstrate, the brightness and colour of the eclipsed Moon can vary considerably. You will have to compensate by using different exposure times.
Courtesy Gary Seronik

ISO Setting

DSLRs have improved greatly in the past few years, so if your camera is of recent vintage, you can probably use ISO 1600 or greater without fear of introducing a lot of image noise. Older cameras will likely need to stay at ISO 800 or lower.  As you increase the ISO, you can reduce the exposure time, and vice versa.

White Balance

Set your camera for daylight white balance (usually a Sun symbol on your camera’s menu display). “Auto,” or any other setting, will give your images an unnatural colour cast.

Vibration Control

Firing your camera’s shutter is likely to introduce image-blurring vibration. If your camera is equipped with a mirror lock-up feature or exposure delay mode, here’s where it comes in handy. In any case, you want to be sure to use a remote shutter release if you have one.

If your camera lacks these features, here’s a handy trick. Get a piece of black cardboard bigger than the front opening on your telescope. Set your camera’s shutter speed for one or two seconds longer than required for the correct exposure. Hold the card in front of the scope so that no light makes its way down the tube. Now, fire the shutter and wait a second or two for vibrations to die out, then move the card out of the way to begin your exposure.

Experimentation is Key

Seronik - Feb 20 Eclipse triptych-r

This trio of images from the February 20, 2008, eclipse shows the Moon’s passage through the umbra, the darkest part of the Earth’s shadow.
Courtesy Gary Seronik

Fortunately, a lunar eclipse lasts for a long time — photographing one is nowhere near as frantic as with a solar eclipse. That means you have time to try different exposure and ISO combinations until you find the one that works best for your set up. How will you know if your exposure is correct? The most reliable way is to check your camera’s histogram display — especially the graph that corresponds to the camera sensor’s red channel. Watch for “clipping” — the histogram data crowding up against the right side of the graph.

Finally, to maximize your chances for success, it’s a good idea to setup your gear a night or two before the eclipse and perform a dry run session photographing the Moon. There’s nothing like actually going through the entire process to ensure that your gear is working properly and that you know how to use it.

For more lunar photography pointers, check out the March/April issue of SkyNews, page 13. You’ll also find complete details about the April 14/15 event there, starting on page 10.

And if you get a good eclipse photo, please share it with us.

Categories: How To, Moon and Planets

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